This is not your every day delay effect, it's a special FX tool for space-time warping grooves, it also includes a unique morphing auto pan effect.

Click to enlarge

Morphing Delay is powerful but very easy too use, tailored for the musician, it goes straight to the goal with a few well chosen controls.

You have two states for the delay line parameters:

The first state is called "On input", the second is called "After input".

When some sound comes to the input the delay fx is activated with settings at stage "On input", as soon as the input sound decays, an exponential envelope gradually morphs all parameters to the "After input" state. You can adjust both the sensitivity of the envelope trigger to the incoming audio input and the time that the envelope takes to do the morphing.

Ducking delays can be emulated by a subset of the Morphing Delay features, it really can do much more.

Features:

Envelope:

-Sens, input sensitivity to adjust when and howmuch the incoming audio would control the envelope.

-Time, morphing envelope time, for very fast to long slowly evolving effects.

"On input" controls, the start values for the morphing process:

-Delay Time 1, in ms or Tempo division (Sync Switch)
-Feedback amount, regeneration of delay
-LP Filter frequency, warm filter in the feedback path
-Wet, effect level, mainly used at "On input" stage to decrease the delay effect until the audio input is over, that's the common usage of ducking delays, to let the effect be heard mostly after the direct signal for a better mix clarity.

"After input" controls, the target values for the morphing process:

-Delay Time 2, deviation from "On input" state , -100%..+100%, Random Deviation at each new input (RND Switch)
-Feedback amount
-LP Filter frequency
-Wet, effect level

Others:

-Mix, from full Dry to full Wet
-Pan, auto pan amount, this effect is morphed by the envelope too, the ping-pong effect is synced with the delay time so that while the delay time change the auto pan follows it. The morphing auto pan can also be used alone without delay effect using the "Pan pre Mix" Switch, when that switch is turned on the stereo input is merged to mono and with the Mix slider all left you can adjust just the the start and end rates of the Ping-Pong with the Delay time controls. This way you can achieve nice accelerating or decelerating auto pan.

The Random Deviation works like this:

When the switch is on, Delay Time 2 (After Input) get a new random value for each new input, it doesn't modulate while the echo goes, but only on silenced input, e.g. on a four beats kick drums, each beat will have its Delay 2 value.

When the random effect is on the Delay 2 slider works like this:

value = 0 : same probability of positive or negative variations, max casuality
value < 0 : more acceleration probability
value > 0 : more slow down probability

The nearer the value is to -100 or +100 the less the variation is random.

Best values for musical high casuality in -30 + 30 range.